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Tuesday, February 2, 2010

ANNER COME LATELY







She passed on Project Runway when Bravo approached VOGUE about teaming up for a reality series based on a contestant design competition.  That was about 6 years ago (PR premiered December 1, 2004).

VOGUE was a brand and she was branding it --- not diluting it to the trashy masses via television.

Branding VOGUE included titles:  Fashion Rocks, VOGUE Living, Men's VOGUE.

And how is that working out for ya, AnnER??  All shuttered titles, right bitch?!!!!

NOW the out-of-the-loop editrix has a mild interest in making her brainchild Fashion Night Out ( a one night shopping extravaganza in September to boost retail sales) into a reality show.

And she might be interested in Bravo as the team partner.

TOO LITTLE. TOO LATE. AND WHO CARES!!!

Now Grace Coddington and TV there is A STAR WAITING TO BE BORN!!








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BIO BITCH








HBO and Darren Star (to direct) are going to make a biopic of that bitch Anita Bryant.

All that vitriolic homo hating spew that slit unleashed in the 70's, title the film, CUNT.

Beside the pie thrown in the face, RAZORS, NAILS, USED SYRINGE NEEDLES,  BROKEN GLASS, DARTS, ICE PICKS...  should have been slung at the cunt too on a daily basis.

LA*SURFPUNK  Editors' note:  We edited the following to read more accurately and precisely :


NO CAREER AND BROKE.. HA HA HA HA HAHHAHAHA


The fallout from bitch's political activism hurt bitch's business and entertainment career. Bitch's contract with the Florida Citrus Commission was allowed to lapse in 1979 because of the controversy and the negative publicity generated by bitch's political campaigns and the resulting boycott of Florida orange juice.[6]

Bitch's marriage to Bob Green failed at that time, and in 1980 bitch divorced him, citing emotional abusiveness and latent suicidal thoughts. Green refuses to accept this, given that his fundamentalist religious beliefs do not recognize civil divorce and that bitch is "still" his wife "in God's eyes."

Some fundamentalist audiences and venues shunned bitch after bitch's divorce. As bitch was no longer invited to appear at their events, bitch lost another major source of income. With bitch's four children, bitch moved from Miami to Selma, Alabama, and later to Atlanta, Georgia. In a 1980 Ladies Home Journal article bitch said, "The church needs to wake up and find some way to cope with divorce and women's problems." Bitch also expressed some sympathy for feminist aspirations, given bitch's own experiences of emotional abuse within bitch's previous marriage.

Bitch married a second husband, Charlie Hobson Dry, in 1990, and they tried to reestablish bitch's music career in a series of small venues, including Branson, Missouri, and Pigeon Forge, Tennessee. Their plans failed, however, and Bryant and Dry left behind them a series of unpaid employees and creditors. Bitch's career decline is detailed in bitch's book, A New Day (1992). They filed for bankruptcy in Arkansas (1997) and in Tennessee (2001).

Bryant returned to Barnsdall, Oklahoma, in 2005 for the town's 100th anniversary celebration and to have a street renamed in bitch's honor. Bitch returned to bitch's high school in Tulsa on April 21, 2007, to perform in the school's annual musical revue. Bitch now lives in Edmond, Oklahoma and  does charity work for various youth organizations while heading Anita Bryant Ministries International.

In a 1980 Ladies Home Journal interview, following bitch's divorce and in the aftermath of bitch's anti-gay activism, Bryant commented on bitch's own anti-gay views:   "I'm more inclined to say live and let live, just don't flaunt it or try to legalize it."[7] However, the biography page on Anita Bryant Ministries website (written in 2006) continues to defend bitch's earlier anti-gay activism and views.



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GINGE HEAD


a little lower....

RIGHT THERE!!!



Prince Harry


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HOW DOES A LOCKER GET HURT?



Say it in your best CUNTY, dual BRITISH/AUSTRALIAN accent:

And the nominees are for best......




Best Picture

* “Avatar” James Cameron and Jon Landau, Producers
* “The Blind Side” Nominees to be determined
* “District 9” Peter Jackson and Carolynne Cunningham, Producers
* “An Education” Finola Dwyer and Amanda Posey, Producers
* “The Hurt Locker” Nominees to be determined
* “Inglourious Basterds” Lawrence Bender, Producer
* “Precious: Based on the Novel ‘Push’ by Sapphire” Lee Daniels, Sarah Siegel-Magness and Gary Magness, Producers
* “A Serious Man” Joel Coen and Ethan Coen, Producers
* “Up” Jonas Rivera, Producer
* “Up in the Air” Daniel Dubiecki, Ivan Reitman and Jason Reitman, Producers

Actor in a Leading Role

* Jeff Bridges in “Crazy Heart”
* George Clooney in “Up in the Air”
* Colin Firth in “A Single Man”
* Morgan Freeman in “Invictus”
* Jeremy Renner in “The Hurt Locker”

Actor in a Supporting Role

* Matt Damon in “Invictus”
* Woody Harrelson in “The Messenger”
* Christopher Plummer in “The Last Station”
* Stanley Tucci in “The Lovely Bones”
* Christoph Waltz in “Inglourious Basterds”

Actress in a Leading Role

* Sandra Bullock in “The Blind Side”
* Helen Mirren in “The Last Station”
* Carey Mulligan in “An Education”
* Gabourey Sidibe in “Precious: Based on the Novel ‘Push’ by Sapphire”
* Meryl Streep in “Julie & Julia”

Actress in a Supporting Role

* Penélope Cruz in “Nine”
* Vera Farmiga in “Up in the Air”
* Maggie Gyllenhaal in “Crazy Heart”
* Anna Kendrick in “Up in the Air”
* Mo’Nique in “Precious: Based on the Novel ‘Push’ by Sapphire”

Animated Feature Film

* “Coraline” Henry Selick
* “Fantastic Mr. Fox” Wes Anderson
* “The Princess and the Frog” John Musker and Ron Clements
* “The Secret of Kells” Tomm Moore
* “Up” Pete Docter

Art Direction

* “Avatar” Art Direction: Rick Carter and Robert Stromberg; Set Decoration: Kim Sinclair
* “The Imaginarium of Doctor Parnassus” Art Direction: Dave Warren and Anastasia Masaro; Set Decoration: Caroline Smith
* “Nine” Art Direction: John Myhre; Set Decoration: Gordon Sim
* “Sherlock Holmes” Art Direction: Sarah Greenwood; Set Decoration: Katie Spencer
* “The Young Victoria” Art Direction: Patrice Vermette; Set Decoration: Maggie Gray

Cinematography

* “Avatar” Mauro Fiore
* “Harry Potter and the Half-Blood Prince” Bruno Delbonnel
* “The Hurt Locker” Barry Ackroyd
* “Inglourious Basterds” Robert Richardson
* “The White Ribbon” Christian Berger

Costume Design

* “Bright Star” Janet Patterson
* “Coco before Chanel” Catherine Leterrier
* “The Imaginarium of Doctor Parnassus” Monique Prudhomme
* “Nine” Colleen Atwood
* “The Young Victoria” Sandy Powell

Directing

* “Avatar” James Cameron
* “The Hurt Locker” Kathryn Bigelow
* “Inglourious Basterds” Quentin Tarantino
* “Precious: Based on the Novel ‘Push’ by Sapphire” Lee Daniels
* “Up in the Air” Jason Reitman

Documentary (Feature)

* “Burma VJ” Anders Østergaard and Lise Lense-Møller
* “The Cove” Nominees to be determined
* “Food, Inc.” Robert Kenner and Elise Pearlstein
* “The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers” Judith Ehrlich and Rick Goldsmith
* “Which Way Home” Rebecca Cammisa

Documentary (Short Subject)

* “China’s Unnatural Disaster: The Tears of Sichuan Province” Jon Alpert and Matthew O’Neill
* “The Last Campaign of Governor Booth Gardner” Daniel Junge and Henry Ansbacher
* “The Last Truck: Closing of a GM Plant” Steven Bognar and Julia Reichert
* “Music by Prudence” Roger Ross Williams and Elinor Burkett
* “Rabbit à la Berlin” Bartek Konopka and Anna Wydra

Film Editing

* “Avatar” Stephen Rivkin, John Refoua and James Cameron
* “District 9” Julian Clarke
* “The Hurt Locker” Bob Murawski and Chris Innis
* “Inglourious Basterds” Sally Menke
* “Precious: Based on the Novel ‘Push’ by Sapphire” Joe Klotz

Foreign Language Film

* “Ajami” Israel
* “El Secreto de Sus Ojos” Argentina
* “The Milk of Sorrow” Peru
* “Un Prophète” France
* “The White Ribbon” Germany

Makeup

* “Il Divo” Aldo Signoretti and Vittorio Sodano
* “Star Trek” Barney Burman, Mindy Hall and Joel Harlow
* “The Young Victoria” Jon Henry Gordon and Jenny Shircore

Music (Original Score)

* “Avatar” James Horner
* “Fantastic Mr. Fox” Alexandre Desplat
* “The Hurt Locker” Marco Beltrami and Buck Sanders
* “Sherlock Holmes” Hans Zimmer
* “Up” Michael Giacchino

Music (Original Song)

* “Almost There” from “The Princess and the Frog” Music and Lyric by Randy Newman
* “Down in New Orleans” from “The Princess and the Frog” Music and Lyric by Randy Newman
* “Loin de Paname” from “Paris 36” Music by Reinhardt Wagner Lyric by Frank Thomas
* “Take It All” from “Nine” Music and Lyric by Maury Yeston
* “The Weary Kind (Theme from Crazy Heart)” from “Crazy Heart” Music and Lyric by Ryan Bingham and T Bone Burnett

Short Film (Animated)

* “French Roast” Fabrice O. Joubert
* “Granny O’Grimm’s Sleeping Beauty” Nicky Phelan and Darragh O’Connell
* “The Lady and the Reaper (La Dama y la Muerte)” Javier Recio Gracia
* “Logorama” Nicolas Schmerkin
* “A Matter of Loaf and Death” Nick Park

Short Film (Live Action)

* “The Door” Juanita Wilson and James Flynn
* “Instead of Abracadabra” Patrik Eklund and Mathias Fjellström
* “Kavi” Gregg Helvey
* “Miracle Fish” Luke Doolan and Drew Bailey
* “The New Tenants” Joachim Back and Tivi Magnusson

Sound Editing

* “Avatar” Christopher Boyes and Gwendolyn Yates Whittle
* “The Hurt Locker” Paul N.J. Ottosson
* “Inglourious Basterds” Wylie Stateman
* “Star Trek” Mark Stoeckinger and Alan Rankin
* “Up” Michael Silvers and Tom Myers

Sound Mixing

* “Avatar” Christopher Boyes, Gary Summers, Andy Nelson and Tony Johnson
* “The Hurt Locker” Paul N.J. Ottosson and Ray Beckett
* “Inglourious Basterds” Michael Minkler, Tony Lamberti and Mark Ulano
* “Star Trek” Anna Behlmer, Andy Nelson and Peter J. Devlin
* “Transformers: Revenge of the Fallen” Greg P. Russell, Gary Summers and Geoffrey Patterson

Visual Effects

* “Avatar” Joe Letteri, Stephen Rosenbaum, Richard Baneham and Andrew R. Jones
* “District 9” Dan Kaufman, Peter Muyzers, Robert Habros and Matt Aitken
* “Star Trek” Roger Guyett, Russell Earl, Paul Kavanagh and Burt Dalton

Writing (Adapted Screenplay)

* “District 9” Written by Neill Blomkamp and Terri Tatchell
* “An Education” Screenplay by Nick Hornby
* “In the Loop” Screenplay by Jesse Armstrong, Simon Blackwell, Armando Iannucci, Tony Roche
* “Precious: Based on the Novel ‘Push’ by Sapphire” Screenplay by Geoffrey Fletcher
* “Up in the Air” Screenplay by Jason Reitman and Sheldon Turner

Writing (Original Screenplay)

* “The Hurt Locker” Written by Mark Boal
* “Inglourious Basterds” Written by Quentin Tarantino
* “The Messenger” Written by Alessandro Camon & Oren Moverman
* “A Serious Man” Written by Joel Coen & Ethan Coen
* “Up” Screenplay by Bob Peterson, Pete Docter, Story by Pete Docter, Bob Peterson, Tom McCarth













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THIS PREMIERE IS A DRAG

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Monday, February 1, 2010

UNREAL RUPAUL









"The truth is, we are all illusionists and that's why we are attracted to it. This whole world is an illusion. It's not real. The truth of who we are has nothing to do with religion or the type of car that we drive or the color of our skin. We are spiritual beings having a human experience. And the human experience part is very temporary. So, things like the bar, love, magic, dancing, and colors are there to remind us to not take all of this stuff so seriously. Drag is like breaking the fourth wall in theater where we're letting you know straight up that this is an illusion. People are attracted to that because they know it's the truth of who they are also. No one is who they think they are. That's why people are attracted to drag." —RuPaul






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KISS ME, GUIDO


JERSEY SHORE:




Paul Wesley doing promo work for Vampire Diaries in New Jersey at the Westfield Garden State Plaza Mall.

Talk about fitting in to the city... He hit all the bullet points in the Jersey's guide to guido dressing: hair spiked with gel, dress in black and look kind of hot.  Did he spray with Axe for the finishing touch?

















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DO THE GINGE



GINGE & CRINGE:


Barbados got a shake of ginger.

The Prince was there to raise monies for his charity and the eathquake victims in Haiti.

Ginge's dance moves were like a high school chemistry teacher cutting loose at a school conference banquet. 

The lad should really just stand quietly at these events and just smile.....




Prince Harry


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A HOWL OF A MOMENT



Jamie discusses Howl:






James Franco




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OUT OF THE TOOL SHED


Dude, you're actually kind of hot.  How'd you make yourself look sooooo old?

You looked so fuckable on DWTS, what happened?




Aaron Carter



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SIGN LANGUAGE


@ROFL:


The Westboro Baptist Church journeys to San Francisco to protest outside the Twitter HQ.








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D.O.A.



If you have one, your stylists really hates you!!

And if you don't,  no wonder you're at this non A-list event....




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SNOW PATROL






K Lu hits up Big Bear.





Kellan Lutz


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WE KNEW IT



He's still single (def.) and ready to mingle (maybe).

What have we been carping about and bitching until we're blue in the face with our posts to you people-- it's all product placement, darlings.

Bradley is a Hollywood product.  Placing him in a possible? faux romance, causing rumors that he bought a ring--didn't happen!!  We knew it.

Matter in fact, he may be in some of our blind items!!  Or not.








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OUR VIEW OF THE AUSTRALIAN OPEN



D&A  TV:











Novak Djokovic, Rafael Nadal, Andy Murray

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EWWWWWWWW


Who cares about this aquarium?

Just when we were giving you props, Graydon, on teaching AnnER  how to sell covers (Patty Cakes; Tiger Woods), you fuck it up!!

No one cares about this slitty  mess.

Where's the  Ryan Gosling cover?

Where's the Ryan Reynolds cover?

Where's the James Franco cover?

Where's The Death of Miramax article?

Where's the GRABBING copy?:  Choke Hold:  James Cameron



WHO ARE YOU???

WHO CARES, more importantly!!









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COACH'S OFFICE



What does Coach have in store for MEN in NYC's West Village?


















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AD MAN


Who do I see about an ad?

That would be our creative department:












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CERTIFIABLE


Proud of your virginity just like you are of that law degree hanging on your office wall?

Get it in writing to prove to everyone and your future husband that you're NO skank.


And while you are throwing money around on useless things-- think about giving us some via our PayPal button at the top of the page.  We'll take a dollar or whatever you want.

We'll call you a virgin and like you long time.








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HOMOPHOBE BOMBS



NONLETHAL WEAPON:


Chest- thumping, homo- hating  Christian Mel Gibson bombs at the box office.

We're hoping KARMA bitch slaps him a whole lot more in the face in the future!!  But this is working for now...

He only has one expression in his "roles." We absolutely hate this motherfucker, ever since the 80s. Icckkkkk!!

Edge of Darkeness only pulled $17.5 million -- a dud by Hollywood's  standards for a commercial release.  Good.

Aliens director James Cameron is kicking ass still at the box office with his Avatar, $30 million this weekend for a collective total of $2.039 billion with no signs of slowing down!!  WORK IT! OWN IT!


Go to the edge and FUCKING fall off!!!




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