KARMA, KARMA, KARMA CHAMELEON:
James Franco transforms his body canvas to look like Allen Ginsberg.
Jamie is receiving solid reviews for his work in Howl.
Quips the industry bible, The Hollywood Reporter: “Howl” proved the perfect film to kick off Sundance 2010, a festival that means to rededicate itself to “cinematic rebellion” and indie experimentation. “Howl” fairly howls its proud defiance of commercial filmmaking norms. It’s a heady flight into not just a particular poem but into the act of creativity itself, into how an artist breaks down barriers between himself and his art…
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